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South Africa’s Zozibini Tunzi crowned Miss Universe 2019

ATLANTA (AP) — South Africa’s Zozibini Tunzi was crowned Miss Universe 2019, giving the country its second title in in three years in a pageant that also saw strong showings from contestants from Puerto Rico and Mexico.

Tunzi, a 26-year-old gender violence activist, said she was forced to abandon her studies for a year because of her family’s economic difficulties, but her modeling work allowed her to continue her education. She studied public relations at Cape Peninsula University of Technology.

When asked during Sunday’s contest what it is most important to teach young girls today, Tunzi said leadership, unleashing a standing ovation at the Tyler Perry Studios in Atlanta, Georgia.

She said she grew up in a world where women who looked like her were not seen as beautiful. It is time for this to end, she said.

Puerto Rico’s Madison Anderson was elected first finalist, and Miss Mexico Sofía Aragón second.

Tunzi’s triumph is the second for South Africa in Miss Universe. South Africa’s Demi-Leigh Nel-Peters was crowned in 2017.

A total of 90 countries participated in this year’s contest, which was hosted by Steve Harvey.

A look at the history and beliefs behind Japan’s controversial shrine to the war dead

Emperor Meiji first visited the site that would become one of Japan’s most controversial shrines in 1874. He vowed that the names of those who died for their country would live there forever. More than 2.4 million people are now honored at Yasukuni, a memorial and Shinto shrine in central Tokyo. Among them are 14 war criminals who are also commemorated each Aug. 15, when Japan’s surrender ended World War II. The shrine provides spiritual comfort for some who mourn relatives and others who visit to express gratitude. Yet for Asian countries that endured Japanese imperial rule and expansion, Yasukuni remains a symbol of Japan’s militarism. Visits by Japanese leaders frequently draw criticism from China and South Korea, which see them as a sign of insufficient remorse for Japan’s wartime aggression.
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