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That time the Cranberries played a free show in DC — and a riot broke out

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WASHINGTON — As the Cranberries rose to global stardom, on May 15, 1995, they played a free show in the nation’s capital that turned into a melee.

With Monday’s sudden death of singer Dolores O’Riordan, at the age of 46, Cranberries fans who have lived in the Washington area are remembering the lunchtime show at the Sylvan Theater, on the grounds of the Washington Monument.

In 1995, WTOP Director of Marketing Mary Kay LeMay was the promotions manager at WHFS, the alternative station that sponsored the show.

“It was a (Monday) so we only expected 3,000 and 10,000 showed up,” said LeMay. “So, there weren’t enough police.”

At the time, the Cranberries were hugely popular on MTV.

Bill Glasser, the director of marketing and promotions at WHFS at the time, orchestrated the show which turned out bigger than anyone had predicted.

“I’m the guy who put the deal together, with the U.S. Park Police, and the Metropolitan Police Department,” Glasser recalled.

“Little did we know, it seemed like everybody in the Washington area cut school, and showed up,” said WHFS DJ Bob Waugh.

Despite the show starting 45 minutes late, LeMay recalled O’Riordan didn’t seem in a rush to take the stage.

“There was an antsy crowd and she was literally filing her nails,” LeMay said.

Waugh said the crowd started an impromptu mosh pit.

Eventually the concert started — but didn’t last long.

“They finally came out, and people actually were stage diving and moshing to ‘Linger,'” a largely acoustic ballad, said LeMay.

“They only got through a song and a half before we were told to stop the show,” said Waugh.

LeMay said other people in the outdoor amphitheater were tossing bottles and cans toward the stage.

“I had crap all over me from people throwing food and drinks at the stage,” she said.

“Wes Johnson (then of WHFS, and also longtime P.A. announcer for the Washington Capitals) was on stage, trying to tell people to stop pushing and calm down, and that made it worse,” said LeMay. “Then all hell broke loose.”

U.S. Park Police determined the free show had turned dangerous, and ordered the music stopped. The Cranberries left, and were replaced on stage by police in riot helmets.

“They pulled the plug,” said LeMay.

As the crowd surged, O’Riordan’s acoustic guitar was stolen, LeMay said.

Waugh said he whisked the band to the airport, as Johnson tried to calm the disappointed crowd.

“I put the Cranberries in my black Izuzu Rodeo, and drove them to National Airport, ” said Waugh. “All along the way they seemed quite amused — it really struck them, for the first time perhaps, how popular they were in the United States.”

Editor’s note: A previous version of this story said that Mary Kay LeMay was WHFS’s Director of Marketing in 1985, the story has been updated to show she was WHFS’s promotions manager in 1995, when the concert took place. Bill Glasser was the director of marketing and promotions.

David Clayton-Thomas, powerhouse lead singer of Blood, Sweat & Tears, dies at 84

NEW YORK (AP) — David Clayton-Thomas, the lead singer of Blood, Sweat & Tears, whose husky, high-strung tenor on “Spinning Wheel,” “And When I Die” and other hits helped make the so-called brass rock band among the most popular acts of the late 1960s, has died at age 84. Spokesperson Eric Alper said that Clayton-Thomas died “peacefully” Wednesday at St. Michael’s Hospital in Toronto. Alper did not cite a specific cause. Clayton-Thomas was a onetime street fighter and petty thief from Canada who briefly became a rock superstar, the front man of a nine-member group that sold millions of records and won two Grammys for “Blood, Sweat & Tears,” which beat out the Beatles' “Abbey Road” for best album of 1969. Calling out amid a jazzy parade of horns, keyboards and percussion, Clayton-Thomas’ urgent shout was a signature voice of the era, preaching love on the Motown cover “You’ve Made Me So Very Happy,” a lasting legacy on Laura Nyro’s “And When I Die” and a cool head on his own “Spinning Wheel.” Meanwhile, Blood, Sweat & Tears helped inspire a wave of horn-led bands, among them Chicago, the Electric Flag and Ten Wheel Drive. “A lot of the guys (in Blood, Sweat & Tears) would play a Broadway show matinee, then go up to Harlem and play Latin music or R&B and funk at night, or come down to the Village and play pure jazz the next night,” Clayton-Thomas told bestclassicbands.com in 2023. “I was just a blues player: give me three chords and I’ve got a song.”
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